A Certain Cinema

by Sérgio Leemann

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set designer

Cinematographer James Wong Howe, director Martin Ritt and art director Tambi Larsen between shots of <em>The Outrage</em>

Tags: 1964, cinematographer, director, Directors in Action, James Wong Howe, Martin Ritt, set designer, Tambi Larsen, The Outrage,

Examining a color sketch of the piano used in <em>The 5,000 Fingers of Dr. T.</em> are production designer Rudolph Sternad and author Dr. Seuss (Theodor Geisel)

Tags: 1952, Dr. Seuss, Rudolph Sternad, set designer, writer,

The production designer of <em>West Side Story</em>, Boris Leven

Tags: 1961, Boris Leven, set designer, West Side Story,

Set decorator Darrell Silvera and art director Van Nest Polglase examine drawings for <em>Gunga Din</em>

Tags: 1939, Darrell Silvera, Gunga Din, set designer, Van Nest Polglase,

Costume and set designer Oliver Messel at work on designs for <em>Romeo and Juliet</em>

Tags: 1936, costume designer, Oliver Messel, Romeo and Juliet (1936), set designer,

Production designer William Cameron Menzies works on sketches for <em>Kings Row</em>

Tags: 1941, Kings Row, set designer, William Cameron Menzies,

Mary Pickford talks to Svend Gade, the set designer she imported from Europe to work on <em>Rosita</em>

Tags: 1923, director, Mary Pickford, Rosita, set designer, Svend Gade,

Director Stephen Frears, production designer Stuart Craig and cinematographer Philippe Rousselot on the Edinburgh location of <em>Mary Reilly </em>

Tags: 1996, camera, cinematographer, director, Directors in Action, Mary Reilly, Philippe Rousselot, set designer, Stephen Frears, Stuart Craig,

Julie Andrews and production designer Boris Leven during filming of <em>STAR!</em>

Tags: 1968, Boris Leven, Julie Andrews, set designer, STAR!,

Costume and set designer Roger Furse

Tags: 1947, costume designer, Roger Furse, set designer,

Cinematographer Desmond Dickinson, director-star Laurence Olivier and production designer Roger Furse between shots of <em>Hamlet</em>

Tags: 1948, camera, cinematographer, Desmond Dickinson, director, Directors in Action, Hamlet, Laurence Olivier, Roger Furse, set designer,

Ronald Reagan, Ann Sheridan, diretor Sam Wood and production designer William Cameron Menzies enjoy some ice cream during filming of <em>Kings Row</em>

Tags: 1941, Ann Sheridan, break, director, Kings Row, Ronald Reagan, Sam Wood, set designer, Take a Break, William Cameron Menzies,

Art director Cedric Gibbons

Tags: Cedric Gibbons, portrait, set designer,

Dolores Del Rio and Cedric Gibbons arrive at the Mayfair Ball. February, 1933

Tags: 1933, Cedric Gibbons, couple, Dolores Del Rio, elegance, fashion, fur, jewelry, party, set designer, The Good Life,

Production designer Polly Platt chats with Ryan O´Neal on the set of <em>The Thief Who Came to Dinner</em>

Tags: 1973, Polly Platt, Ryan O'Neal, set designer, The Thief Who Came to Dinner,

On a visit to England, Ray Milland stops by the <em>Hamlet</em> set and hands Laurence Olivier the Honorary Oscar he received for <em>Henry V</em>. In the background, production designer Roger Furse. June, 1947

Tags: 1947, award, director, Hamlet, Henry V, I'd like to thank..., Laurence Olivier, Ray Milland, Roger Furse, set designer, visitor,

Art director Cedric Gibbons, Marlene Dietrich, Douglas Fairbanks Jr. and Dolores Del Rio chat during the intermission of a performance of the play <em>Idiot´s Delight</em>. May, 1937

Tags: 1937, Cedric Gibbons, cigarette, couple, Dolores Del Rio, Douglas Fairbanks Jr., elegance, fashion, Marlene Dietrich, set designer, The Good Life,

Art director Richard Day

Tags: Richard Day, set designer,

Production designer Ken Adam on the Fort Knox set he created for <em>Goldfinger</em>

Tags: 1964, Goldfinger, Ken Adam, set designer,

Production designer Ken Adam, producer Albert R. Broccoli and director Lewis Gilbert on the gigantic set Adam conceived for <em>The Spy Who Loved Me</em>

Tags: 1977, Albert R. Broccoli, director, Ken Adam, Lewis Gilbert, producer, set designer, The Spy Who Loved Me,

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