A Certain Cinema

by Sérgio Leemann

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Rudolph Maté

Director René Clair kneels to get a perfect view of Marlene Dietrich in a scene from <em>The Flame of New New Orleans</em>. Cinematographer Rudolph Maté is third from left

Tags: 1941, camera, cinematographer, crew, director, Directors in Action, Marlene Dietrich, René Clair, Rudolph Maté, The Flame of New Orleans,

Cameraman Vincent Farrar, directors Rudolph Maté and Don Hartman, Cornel Wilde and Ginger Rogers on the set of <em>It Had to Be You</em>

Tags: 1947, camera, cinematographer, Cornel Wilde, director, Directors in Action, Don Hartman, Ginger Rogers, It Had to Be You, microphone, Rudolph Maté, Vincent Farrar,

Director of photography Rudolph Maté checks the light for a shot of Rita Hayworth and Russ Vincent in <em>Gilda</em>

Tags: 1946, cinematographer, Gilda, Masters of Light, Rita Hayworth, Rudolph Maté, Russ Vincent,

Cinematographer Rudolph Maté

Tags: camera, cinematographer, Masters of Light, portrait, Rudolph Maté,

On the fanciful set of <em>Dante´s Inferno</em>: cinematographer Rudolph Maté (in dark shirt), director Harry Lachman (wearing visor), Spencer Tracy and Claire Trevor

Tags: 1935, Claire Trevor, crew, director, Directors in Action, Harry Lachman, Rudolph Maté, Spencer Tracy,

Irene Dunne, director Charles Vidor and cinematographer Rudolph Maté on the set of <em>Over 21</em>

Tags: 1945, camera, Charles Vidor, cinematographer, director, Directors in Action, Irene Dunne, Over 21, Rudolph Maté,

Anne Shirley and Barbara Stanwyck in front of the camera; director King Vidor and cinematographer Rudolph Maté (plaid jacket) behind it: <em>Stella Dallas</em>

Tags: 1937, Anne Shirley, Barbara Stanwyck, camera, cinematographer, crew, director, Directors in Action, filming, King Vidor, Rudolph Maté, Stella Dallas (1937),

Three live ducks dressed in costume and tagged with the names of producer-director Don Hartman (left), codirector Rudolph Maté (center) and cameraman Vincent Farrar (right) drew a laugh from everybody on the set of<em> It Had to Be You</em>, including stars Cornel Wilde and Ginger Rogers

Tags: 1947, animal, cinematographer, Cornel Wilde, director, Don Hartman, fun, Ginger Rogers, It Had to Be You, laughter, producer, Rudolph Maté, They All Laughed, Vincent Farrar,

Mario Lanza, director Rudolph Maté and Zsa Zsa Gabor confer on the set of <em>For the First Time</em>

Tags: 1959, director, Directors in Action, For the First Time, Mario Lanza, Rudolph Maté, Zsa Zsa Gabor,

Linda Darnell seems bemused by what Robert Mitchum and <em>Second Chance</em> director Rudolph Maté are saying

Tags: 1953, director, Directors in Action, Linda Darnell, Robert Mitchum, Rudolph Maté, script, Second Chance,

While making <em>The Violent Men</em>, Glenn Ford, Barbara Stanwyck, script girl May Wale Brown and director Rudolph Maté visit a country carnival

Tags: 1955, Barbara Stanwyck, cigar, director, fun, Glenn Ford, May Wale Brown, Rudolph Maté, The Good Life, The Violent Men,

Producer Frank P. Rosenberg, Van Johnson, writer Ben Hecht, Jane Wyman and director Rudolph Maté admire a copy of Hecht´s <em>Miracle in the Rain</em>

Tags: 1956, Ben Hecht, book, director, Frank P. Rosenberg, Have You Read the Book?, Jane Wyman, Miracle in the Rain, producer, Rudolph Maté, Van Johnson, writer,

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