A Certain Cinema

by Sérgio Leemann

A Certain Cinema, by Sérgio Leemann

14431 photos

Masters of Light

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On the set of <em>Eternal Love</em> cinematographer Oliver T. Marsh tries a photographic device to capture a closeup of John Barrymore. Director Ernst Lubitsch looks on
Tags: 1929, camera, cinematographer, director, Ernst Lubitsch, Eternal Love, John Barrymore, Masters of Light, Oliver T. Marsh,
Cinematographer Erwin Hillier and crew on the set of <em>The Woman´s Angle</em>
Tags: 1952, camera, cinematographer, crew, Erwin Hillier, Masters of Light, The Woman's Angle,
Cinematographer Erwin Hillier and director Michael Anderson during filming of <em>Shake Hands with the Devil</em>
Tags: 1958, camera, cinematographer, director, Erwin Hillier, Masters of Light, Michael Anderson, Shake Hands with the Devil,
Joan Crawford and camera operator Ellsworth Fredericks between scenes of <em>Flamingo Road</em>
Tags: 1949, cigarette, cinematographer, Ellsworth Fredericks, Flamingo Road, Joan Crawford, Masters of Light,
Director John Huston talks to the cinematographer of <em>The Bible</em>, Giuseppe Rotunno
Tags: 1966, camera, cinematographer, director, Giuseppe Rotunno, John Huston, Masters of Light, The Bible,
Cinematographer Ernest Haller, director Sam Wood, Ingrid Bergman and Gary Cooper on the set of <em>Saratoga Trunk</em>
Tags: 1943, camera, cinematographer, director, Ernest Haller, Gary Cooper, Ingrid Bergman, Masters of Light, Sam Wood, Saratoga Trunk,
Director of photography Sol Polito shows the workings of a movie camera to the star of <em>Rhapsody in Blue</em>, Robert Alda
Tags: 1945, camera, cinematographer, Masters of Light, Rhapsody in Blue, Robert Alda, Sol Polito,
Director of photography Jack Hildyard gets a light reading for a shot of Ava Gardner in <em>55 Days at Peking</em>
Tags: 1963, 55 Days at Peking, Ava Gardner, cinematographer, Jack Hildyard, Masters of Light,
June Allyson, producer Ross Hunter and director of photography William Daniels during filming of <em>My Man Godfrey</em>
Tags: 1957, cinematographer, June Allyson, Masters of Light, My Man Godfrey (1957), producer, Ross Hunter, William Daniels,
On the set of <em>Intermezzo: A Love Story</em>: cinematographer Gregg Toland (extreme left), Leslie Howard and Ingrid Bergman
Tags: 1939, camera, cinematographer, Gregg Toland, Ingrid Bergman, Intermezzo: A Love Story, Leslie Howard, Masters of Light,
Cinematographer Joseph Walker
Tags: camera, cinematographer, Joseph Walker, Masters of Light,
Director of photography Rudolph Maté checks the light for a shot of Rita Hayworth and Russ Vincent in <em>Gilda</em>
Tags: 1946, cinematographer, Gilda, Masters of Light, Rita Hayworth, Rudolph Maté, Russ Vincent,
Special effects expert Jack Lannan demonstrates to cinematographer George Barnes the newly developed Snowmagic machine. January, 1948
Tags: 1948, cinematographer, George Barnes, Jack Lannan, Masters of Light,
Director of photography Ray June and Robert Montgomery between takes of <em>Night Must Fall</em>
Tags: 1937, cinematographer, makeup, Masters of Light, Night Must Fall, Ray June, Robert Montgomery,
Director of photography Oliver T. Marsh (wearing visor) and his crew ride the camera crane during filming of <em>The Girl of the Golden West</em>
Tags: 1938, camera, cinematographer, crew, Masters of Light, Oliver T. Marsh, The Girl of the Golden West (1938),
Samantha Eggar gets advice from James Wong Howe, the director of photography on <em>The Molly Maguires</em>
Tags: 1969, camera, cinematographer, James Wong Howe, Masters of Light, Samantha Eggar, The Molly Maguires,
Anne Baxter, director of photography Arthur C. Miller and Tallulah Bankhead on the set of <em>A Royal Scandal</em>
Tags: 1945, A Royal Scandal, Anne Baxter, Arthur C. Miller, cinematographer, Masters of Light, Tallulah Bankhead,
The director of photography of <em>The Yearling</em>, Charles Rosher, observes how Gregory Peck handles a camera
Tags: 1946, camera, Charles Rosher, cinematographer, Gregory Peck, Masters of Light, The Yearling,
Cinematographer Sven Nykvist and director Woody Allen discuss an upcoming shot in <em>Another Woman</em>
Tags: 1988, Another Woman, cinematographer, director, Masters of Light, Sven Nykvist, Woody Allen,
Producer Chester Erskine (light jacket), cinematographer John Alton (bow tie) and Barbara Stanwyck on the set of <em>Witness to Murder</em>
Tags: 1954, Barbara Stanwyck, camera, Chester Erskine, cinematographer, crew, John Alton, Masters of Light, microphone, producer, Witness to Murder,
Director Orson Welles and cinematographer Stanley Cortez on the kitchen set of <em>The Magnificent Ambersons</em>
Tags: 1942, cinematographer, director, Masters of Light, Orson Welles, Stanley Cortez, The Magnificent Ambersons,
Cinematographer James Wong Howe (plaid shirt) and his crew get set to grab a take of Teresa Wright  in <em>Pursued</em>
Tags: 1947, camera, cinematographer, crew, James Wong Howe, Masters of Light, Pursued, Teresa Wright,
The director of photography of <em>Spellbound</em>, George Barnes
Tags: 1945, cinematographer, George Barnes, Masters of Light, Spellbound,
Cinematographer Rudolph Maté
Tags: camera, cinematographer, Masters of Light, portrait, Rudolph Maté,
Director of photography William A. Fraker checks the light for a shot of <em>Paint Your Wagon</em>
Tags: 1969, cigarette, cinematographer, Masters of Light, Paint Your Wagon, William A. Fraker,
Director of photography Karl Freund gets a light reading of Katharine Hepburn and Robert Taylor on the set of <em>Undercurrent</em>
Tags: 1946, cinematographer, Karl Freund, Katharine Hepburn, Masters of Light, Robert Taylor, Undercurrent,
Director of photography Philippe Agostini gets his camera set for the next shot of <em>Premier de cordée</em>
Tags: 1944, camera, cinematographer, Masters of Light, Philippe Agostini, Premier de cordée,
Director of photography Jack Cardiff and Marilyn Monroe during filming of <em>The Prince and the Showgirl</em>
Tags: 1957, cinematographer, Jack Cardiff, Marilyn Monroe, Masters of Light, The Prince and the Showgirl,
Laurence Olivier and the director of photography of <em>Hamlet</em>, Desmond Dickinson
Tags: 1948, camera, cinematographer, Desmond Dickinson, director, Hamlet, Laurence Olivier, Masters of Light,
Director of photography Ray Rennahan gets a light reading before shooting a scene with Rhonda Fleming for <em> A Connecticut Yankee in King Arthur´s Court</em>
Tags: 1949, A Connecticut Yankee in King Arthur's Court, cinematographer, Masters of Light, Ray Rennahan, Rhonda Fleming,
Director Victor Fleming, camera operator Arthur E. Arling and cinematographer Ernest Haller on the set of <em>Gone with the Wind</em>
Tags: 1939, Arthur E. Arling, camera, cinematographer, director, Ernest Haller, Gone with the Wind, Masters of Light, Victor Fleming,
Director of photography Joe MacDonald shows Arlene Dahl the workings of the CinemaScope camera used for <em>Woman´s World</em>
Tags: 1954, Arlene Dahl, cinematographer, Joe MacDonald, Masters of Light, Woman's World,
Cinematographer Gianni Di Venanzo and director Michelangelo Antonioni at work on <em>Il grido</em>
Tags: 1957, camera, cinematographer, director, Gianni Di Venanzo, Il grido, Masters of Light, Michelangelo Antonioni,
Ann Blyth chats with the director of photography of <em>A Woman´s Vengeance</em>, Russell Metty
Tags: 1948, A Woman's Vengeance, Ann Blyth, cinematographer, Masters of Light, Russell Metty,
Cinematographer Charles Rosher reads a Detroit Free Press clipping from 1908 announcing that he had moved to Detroit. April, 1947
Tags: 1947, Charles Rosher, Masters of Light,
Cinematographer Bruce Surtees and director Clint Eastwood plan the next shot of <em>High Plains Drifter</em>
Tags: 1973, Bruce Surtees, camera, cinematographer, Clint Eastwood, director, High Plains Drifter, Masters of Light,
Cinematographer Joseph Walker awaits director Dorothy Arzner´s approval before shooting a scene from <em>First Comes Courage</em>
Tags: 1943, camera, cinematographer, director, Dorothy Arzner, First Comes Courage, Joseph Walker, Masters of Light,
Cinematographer Charles Lang
Tags: 1935, camera, Charles Lang, cinematographer, Masters of Light,
Katharine Hepburn and cinematographer Jack Hildyard on the Venetian location of <em>Summertime</em>
Tags: 1955, cinematographer, Jack Hildyard, Katharine Hepburn, Masters of Light, Summertime,
Doris Day looks through the camera of <em>Lucky Me</em> cinematographer Wilfred M. Cline
Tags: 1954, camera, cinematographer, Doris Day, Lucky Me, Masters of Light, Wilfred M. Cline,

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