A Certain Cinema

by Sérgio Leemann

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Olivia de Havilland on the set of <em> Gold Is Where You Find It</em>

Tags: 1938, camera, crew, filming, Gold Is Where You Find It, Olivia de Havilland,

Megaphone in hand, Robert Florey directs Montagu Love and Robert Frazer on the set of <em>One Hour of Love</em>

Tags: 1927, camera, crew, director, Directors in Action, filming, megaphone, Montagu Love, One Hour of Love, Robert Florey, Robert Frazer, violin,

Filming on the set of <em>Two Guys from Milwaukee</em>: Joan Leslie, Dennis Morgan, Jack Carson, director David Butler (holding sheets of paper) and cinematographer Arthur Edeson (in pinstripe suit)

Tags: 1946, Arthur Edeson, camera, cinematographer, crew, David Butler, Dennis Morgan, director, Directors in Action, filming, Jack Carson, Joan Leslie, Two Guys from Milwaukee,

Gene Raymond, Wendy Barrie and crew on the set of <em>Love on a Bet</em>

Tags: 1936, camera, crew, filming, Gene Raymond, Love on a Bet, microphone, Wendy Barrie,

Deborah Kerr and Robert Taylor being filmed on the set of <em>Quo Vadis</em>

Tags: 1951, camera, Deborah Kerr, filming, microphone, Quo Vadis, Robert Taylor,

Lloyd Nolan and Akim Tamiroff play for the camera on the set of <em>The Magnificent Fraud</em>

Tags: 1939, Akim Tamiroff, camera, filming, Lloyd Nolan, The Magnificent Fraud,

Greta Garbo, Conrad Nagel, director Jacques Feyder and cinematographer William Daniels (above the camera) on the set of <em>The Kiss</em>

Tags: 1929, camera, cinematographer, Conrad Nagel, crew, director, Directors in Action, filming, Greta Garbo, Jacques Feyder, The Kiss, William Daniels,

Gene Tierney being filmed on the set of <em>Black Widow</em>

Tags: 1954, Black Widow, camera, filming, Gene Tierney, microphone,

Filming of a pivotal scene in <em>A Tale of Two Cities</em>: Edna May Oliver, Elizabeth Allan, Blanche Yurka and director Jack Conway

Tags: 1935, A Tale of Two Cities (1935), Blanche Yurka, camera, director, Directors in Action, Edna May Oliver, Elizabeth Allan, filming, Jack Conway, microphone,

Virginia Mayo and Clint Walker on the Kanab, Utah, location of <em>Fort Dobbs </em>

Tags: 1958, Clint Walker, crew, filming, Fort Dobbs, microphone, Virginia Mayo,

From his chair, <em>Three Blind Mice </em> director William A. Seiter keeps an eye on Loretta Young and Joel McCrea

Tags: 1938, camera, director, Directors in Action, filming, Joel McCrea, Loretta Young, microphone, Three Blind Mice, William A. Seiter,

Renée Adorée and John Gilbert perform a scene from <em>The Big Parade</em>. On the platform, director King Vidor (wearing suit) and cinematographer John Arnold (in white shirt)

Tags: 1925, cinematographer, crew, director, Directors in Action, filming, John Arnold, John Gilbert, King Vidor, Renée Adorée, The Big Parade,

Janet Blair takes center stage in a musical number being filmed for <em>Tars and Spars</em>. In the director´s chair, Alfred E. Green; behind him, wearing a visor, cinematographer Joseph Walker

Tags: 1946, Alfred E. Green, camera, cinematographer, crew, director, Directors in Action, filming, Janet Blair, Joseph Walker, Tars and Spars,

Producer Joe Pasternak, cinematographer Joseph Valentine (both kneeling), director Henry Koster, Leopold Stokowski and Adolphe Menjou on the set of <em>One Hundred Men and a Girl</em>

Tags: 1937, Adolphe Menjou, camera, cinematographer, director, Directors in Action, filming, Henry Koster, Joe Pasternak, Joseph Valentine, Leopold Stokowski, microphone, One Hundred Men and a Girl, producer,

Creating a timeless comedy moment for <em>Towed in a Hole</em>: director George Marshall (second from left), Stan Laurel and Oliver Hardy

Tags: 1932, car, director, Directors in Action, filming, George Marshall, microphone, Oliver Hardy, Stan Laurel, Towed in a Hole,

Robert Cummings and Claudette Colbert being filmed on the set of <em>Sleep, My Love</em>

Tags: 1948, camera, Claudette Colbert, crew, filming, microphone, Robert Cummings, Sleep My Love,

Vincent Sherman (extreme left) directs Edmond O´Brien and Viveca Lindfors in <em>Backfire</em>

Tags: 1950, Backfire, camera, crew, director, Directors in Action, Edmond O'Brien, filming, microphone, piano, Vincent Sherman, Viveca Lindfors,

Director Edmund Goulding, Wallace Beery, Joan Crawford and the camera crew on the set of <em>Grand Hotel</em>

Tags: 1932, camera, clapboard, crew, director, Directors in Action, Edmund Goulding, filming, Grand Hotel, Joan Crawford, microphone, Wallace Beery,

From his director´s chair Jean Negulesco keeps an eye on how John Garfield and Geraldine Fitzgerald kiss in a scene from <em>Nobody Lives Forever</em>

Tags: 1946, camera, crew, director, Directors in Action, filming, Geraldine Fitzgerald, Jean Negulesco, John Garfield, Nobody Lives Forever,

The filming of a scene from <em>Doctor Zhivago</em> featuring Julie Chrstie. Fourth from left, director David Lean

Tags: 1965, camera, crew, David Lean, director, Directors in Action, Doctor Zhivago, filming, Julie Christie,

Cary Grant and Doris Day play for the camera on the set of <em>That Touch of Mink</em>

Tags: 1962, camera, Cary Grant, crew, Doris Day, filming, That Touch of Mink,

Claude Sautet (seated next to camera) directs a scene featuring Sylva Koscina and Lino Ventura on the set of <em>L´arme à gauche</em>

Tags: 1965, camera, Claude Sautet, crew, director, Directors in Action, filming, L'arme à gauche, Lino Ventura, microphone, Sylva Koscina,

Filming a scene from <em>The Mysterious Lady</em> with Conrad Nagel and Greta Garbo. Behind the camera, cinematographer William Daniels and director Fred Niblo

Tags: 1928, camera, cinematographer, Conrad Nagel, director, Directors in Action, filming, Fred Niblo, Greta Garbo, piano, The Mysterious Lady, violin, William Daniels,

On the set of <em>Conquest</em>: cinematographer Karl Freund, director Clarence Brown, Charles Boyer and Greta Garbo

Tags: 1937, camera, Charles Boyer, cinematographer, Clarence Brown, Conquest, director, Directors in Action, filming, Greta Garbo, Karl Freund,

Greta Garbo, Gavin Gordon, director Clarence Brown and cinematographer William Daniels (seated) on the set of <em>Romance</em>

Tags: 1930, camera, cinematographer, Clarence Brown, director, Directors in Action, filming, Gavin Gordon, Greta Garbo, microphone, Romance, William Daniels,

Director Sydney Pollack and Paul Newman observe the action being filmed on the <em>Absence of Malice</em> location

Tags: 1981, Absence of Malice, camera, crew, director, Directors in Action, filming, Paul Newman, Sydney Pollack,

A scene from <em>I Am a Fugitive from a Chain Gang</em> featuring Paul Muni is being filmed under the direction of Mervyn LeRoy (standing behind the camera)

Tags: 1932, camera, crew, director, Directors in Action, filming, I Am a Fugitive from a Chain Gang, Mervyn LeRoy, Paul Muni,

On the set of <em>Romance on the High Seas</em>: cinematographer Elwood Bredell (wearing visor), director Michael Curtiz, Eric Blore and Doris Day

Tags: 1948, camera, cinematographer, clapboard, crew, director, Directors in Action, Doris Day, Elwood Bredell, Eric Blore, filming, Michael Curtiz, Romance on the High Seas,

Director Robert Florey (second from right) gives Marta Torén instructions as a scene from <em>Rogues´ Regiment</em> is being filmed

Tags: 1948, camera, crew, director, Directors in Action, filming, Marta Torén, microphone, Robert Florey, Rogues' Regiment,

Alfred Hitchcock oversees the shooting of a scene in <em>Family Plot</em> featuring Bruce Dern

Tags: 1976, Alfred Hitchcock, Bruce Dern, camera, crew, director, Directors in Action, Family Plot, filming,

Eleanor Powell faces the <em>Born to Dance</em> camera

Tags: 1936, Born to Dance, camera, crew, Eleanor Powell, filming,

A love scene between Olympe Bradna and Gene Raymond is being filmed on the set of <em>Stolen Heaven</em>. Seated in front of the camera is director Andrew L. Stone, and behind him is script clerk Gana Jones

Tags: 1938, Andrew L. Stone, camera, crew, director, Directors in Action, filming, Gana Jones, Gene Raymond, microphone, Olympe Bradna, script, Stolen Heaven (1938),

Director Ken Annakin (center) and crew while filming <em>The Planter´s Wife</em>

Tags: 1952, camera, crew, director, Directors in Action, filming, Ken Annakin, The Planter's Wife,

Cinematographer Arthur C. Miller (uppermost left) and his crew shoot a scene from <em>The Gunfighter</em> featuring Gregory Peck and Helen Westcott

Tags: 1950, Arthur C. Miller, camera, cinematographer, crew, filming, Gregory Peck, Helen Westcott, Masters of Light, microphone, The Gunfighter,

A scene featuring Wendy Hiller, Trevor Howard and Dean Stockwell is being shot on the <em>Sons and Lovers</em> set. Seated beside the camera is director Jack Cardiff

Tags: 1960, camera, crew, Dean Stockwell, director, Directors in Action, filming, Jack Cardiff, pipe, Sons and Lovers, Trevor Howard, Wendy Hiller,

Victor McLaglen and George Montgomery play an action scene in <em>China Girl</em> under the guidance of Henry Hathaway

Tags: 1942, camera, China Girl, crew, director, Directors in Action, filming, George Montgomery, Henry Hathaway, Victor McLaglen,

Puppeteers conduct a dance of shadows on the bulkhead of a ship´s brig for the benefit of Gary Cooper and George Raft in <em>Souls at Sea</em>. Kneeling beside the camera are cinematographer Charles Lang and director Henry Hathaway

Tags: 1937, camera, Charles Lang, cinematographer, crew, director, Directors in Action, filming, Gary Cooper, George Raft, Henry Hathaway, Souls at Sea,

William Beaudine gives George Sidney direction on the set of <em>The Life of Riley</em>. Cinematographer Charles Van Enger and crew follow the action

Tags: 1927, camera, Charles Van Enger, cinematographer, clapboard, crew, director, filming, George Sidney (II), pipe, Real Directors Smoke Pipes, The Life of Riley (1927), William Beaudine,

A scene from <em>Sergeant Rutledge</em> between Constance Towers and Jeffrey Hunter is being filmed under the guidance of John Ford (with eyepatch). On the right, cinematographer Bert Glennon

Tags: 1960, Bert Glennon, camera, cinematographer, Constance Towers, crew, director, Directors in Action, filming, Jeffrey Hunter, John Ford, Sergeant Rutledge,

Filming a scene from <em>The Gold Rush</em>: assistant Harry d´Abbadie d´Arrast, editor Edward Manson, director-star Charles Chaplin, cinematographer Roland Totheroh and assistant Charles Reisner

Tags: 1925, camera, Charles Chaplin, Charles Reisner, cinematographer, crew, director, Directors in Action, Edward Manson, film editor, filming, Harry d'Abbadie d'Arrast, megaphone, Roland Totheroh, The Gold Rush,

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