A Certain Cinema

by Sérgio Leemann

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Olivia de Havilland on the set of <em> Gold Is Where You Find It</em>

Tags: 1938, camera, crew, filming, Gold Is Where You Find It, Olivia de Havilland,

Megaphone in hand, Robert Florey directs Montagu Love and Robert Frazer on the set of <em>One Hour of Love</em>

Tags: 1927, camera, crew, director, Directors in Action, filming, megaphone, Montagu Love, One Hour of Love, Robert Florey, Robert Frazer, violin,

Filming on the set of <em>Two Guys from Milwaukee</em>: Joan Leslie, Dennis Morgan, Jack Carson, director David Butler (holding sheets of paper) and cinematographer Arthur Edeson (in pinstripe suit)

Tags: 1946, Arthur Edeson, camera, cinematographer, crew, David Butler, Dennis Morgan, director, Directors in Action, filming, Jack Carson, Joan Leslie, Two Guys from Milwaukee,

Cinematographer Erwin Hillier and crew on the set of <em>The Woman´s Angle</em>

Tags: 1952, camera, cinematographer, crew, Erwin Hillier, Masters of Light, The Woman's Angle,

Joseph Losey directs Elizabeth Taylor in <em>Boom</em>

Tags: 1968, Boom, camera, crew, director, Directors in Action, Elizabeth Taylor, hair, Joseph Losey,

<em>Mademoiselle Midnight</em>´s Mae Murray points something to her husband, director Robert Z. Leonard

Tags: 1924, camera, couple, crew, director, Directors in Action, Mademoiselle Midnight, Mae Murray, Robert Z. Leonard,

Director James Ivory and crew prepare the next shot of <em>The Bostonians</em>

Tags: 1984, camera, crew, director, Directors in Action, James Ivory, The Bostonians,

Gene Raymond, Wendy Barrie and crew on the set of <em>Love on a Bet</em>

Tags: 1936, camera, crew, filming, Gene Raymond, Love on a Bet, microphone, Wendy Barrie,

Director René Clair kneels to get a perfect view of Marlene Dietrich in a scene from <em>The Flame of New New Orleans</em>. Cinematographer Rudolph Maté is third from left

Tags: 1941, camera, cinematographer, crew, director, Directors in Action, Marlene Dietrich, René Clair, Rudolph Maté, The Flame of New Orleans,

Charles Chaplin directs <em>Modern Times</em>. Wife and costar Paulette Goddard (right) observes

Tags: 1936, camera, Charles Chaplin, couple, crew, director, Directors in Action, Modern Times, Paulette Goddard, script,

Electrician Seymour Rubin and John Hodiak take part in a crew vs. cast baseball game on the <em>Across the Wide Missouri</em> location

Tags: 1951, Across the Wide Missouri, break, crew, fun, John Hodiak, Seymour Rubin, Take a Break,

Michael Curtiz directs Rosalind Russell and Errol Flynn in <em>Four´s a Crowd</em>. Cinematographer Ernest Haller stands next to camera

Tags: 1938, camera, cinematographer, crew, director, Directors in Action, Ernest Haller, Errol Flynn, Four's a Crowd, Michael Curtiz, Rosalind Russell,

On the set of <em>Daughters Courageous</em>: Rosemary Lane, Gale Page, Fay Bainter, Lola Lane, Priscilla Lane, cinematographer James Wong Howe (leaning next to camera) and director Michael Curtiz (wearing hat)

Tags: 1939, camera, cinematographer, crew, Daughters Courageous, director, Directors in Action, Fay Bainter, Gale Page, James Wong Howe, Lola Lane, Michael Curtiz, Priscilla Lane, Rosemary Lane,

Cinematographer Robert Lefebvre and director Jacques Becker during filming of <em>Ali Baba et les 40 voleurs</em>

Tags: 1954, Ali Baba et les 40 voleurs, camera, cinematographer, crew, director, Directors in Action, Jacques Becker, Robert Lefebvre,

Marc Allégret (third from left) directs <em>La belle aventure</em>

Tags: 1942, camera, crew, director, Directors in Action, La belle aventure, Marc Allégret,

Director John Cromwell keeps a close eye on Myrna Loy playing a scene in <em>To Mary - with Love</em>

Tags: 1936, camera, crew, director, Directors in Action, John Cromwell, Myrna Loy, To Mary - with Love,

Diane Varsi, director Henry Hathaway (left on platform) and crew during filming of <em>From Hell to Texas</em>

Tags: 1958, camera, crew, Diane Varsi, director, Directors in Action, From Hell to Texas, Henry Hathaway,

Sidney Poitier directs <em>Buck and the Preacher</em>

Tags: 1972, Buck and the Preacher, crew, director, Directors in Action, Sidney Poitier,

Florinda Bolkan, Michael Caine and writer-director James Clavell (hands in pockets) between shots of <em>The Last Valley</em>

Tags: 1971, camera, crew, director, Directors in Action, Florinda Bolkan, James Clavell, Michael Caine, microphone, The Last Valley, writer,

Director Alfred Hitchcock gives instructions to Veronica Cartwright, Rod Taylor, Tippi Hedren and Jessica Tandy prior to shooting the final scene of <em>The Birds</em>. Cinematographer Robert Burks is second from right, seated

Tags: 1963, Alfred Hitchcock, camera, cinematographer, crew, director, Directors in Action, Jessica Tandy, microphone, Robert Burks, Rod Taylor, The Birds, Tippi Hedren, Veronica Cartwright,

Fritz Lang directs <em>Frau im Mond</em>

Tags: 1929, camera, crew, director, Directors in Action, Frau im Mond, Fritz Lang,

Ronald Colman waits for the next take in <em>Lost Horizon</em>

Tags: 1937, camera, crew, Lost Horizon (1937), Ronald Colman,

Filming on the set of <em>Hotel Imperial</em>: cinematographer William C. Mellor (under camera, wearing vest), director Robert Florey (seated, center), Isa Miranda and Ray Milland

Tags: 1939, camera, cinematographer, crew, director, Directors in Action, Hotel Imperial, Isa Miranda, microphone, Ray Milland, Robert Florey, William C. Mellor,

Filming of a scene in <em>Paris Blues</em> with Paul Newman and Joanne Woodward, directed by Martin Ritt (hands in pockets)

Tags: 1961, camera, couple, crew, director, Directors in Action, Joanne Woodward, Martin Ritt, microphone, Paris Blues, Paul Newman,

Greta Garbo, Conrad Nagel, director Jacques Feyder and cinematographer William Daniels (above the camera) on the set of <em>The Kiss</em>

Tags: 1929, camera, cinematographer, Conrad Nagel, crew, director, Directors in Action, filming, Greta Garbo, Jacques Feyder, The Kiss, William Daniels,

Ann-Margret, director Boris Sagal and Chad Everett have a laugh on the set of <em>Made in Paris</em>

Tags: 1966, Ann-Margret, Boris Sagal, camera, Chad Everett, crew, director, laughter, Made in Paris, They All Laughed,

Peter Cushing ready for a trick shot on the set of <em>The Skull</em>

Tags: 1965, camera, crew, Peter Cushing, The Skull,

Director Lowell Sherman and Katharine Hepburn between scenes of <em>Morning Glory</em>

Tags: 1933, crew, director, Directors in Action, Katharine Hepburn, Lowell Sherman, Morning Glory,

Assistant director Kip Gowans, boom operator John Salter, camera operator Frank Drake, sound mixer Leslie Hammond, cinematographer Wilkie Cooper, Trevor Howard, director Guy Hamilton and Robert Mitchum on the set of <em>Man in the Middle</em>

Tags: 1963, camera, cinematographer, crew, director, Directors in Action, Frank Drake, Guy Hamilton, John Salter, Kip Gowans, Leslie Hammond, Man in the Middle, microphone, Robert Mitchum, Trevor Howard, Wilkie Cooper,

At work on <em>Samson and Delilah</em>: Technicolor technician Paul Hill (foreground), assistant cameraman John F. Warren, head electrician Soldier Graham, director Cecil B. DeMille and cinematographer George Barnes

Tags: 1949, Cecil B. DeMille, cinematographer, crew, director, Directors in Action, George Barnes, John F. Warren, Paul Hill, Samson and Delilah, Soldier Graham,

Director William Dieterle lines up a shot for <em>All That Money Can Buy</em>

Tags: 1941, All That Money Can Buy, camera, crew, director, Directors in Action, William Dieterle,

Mounted on a special perambulator, the camera is ready for a shot of Anna Q. Nilsson and Ralph Forbes that will follow the actors from their car to the interior of a cafe set. Charles Brabin, the director of <em>The Whip</em>, is just below the light on the right

Tags: 1928, Anna Q. Nilsson, camera, car, Charles Brabin, crew, director, Directors in Action, Ralph Forbes, The Whip,

Director of photography Oliver T. Marsh (wearing visor) and his crew ride the camera crane during filming of <em>The Girl of the Golden West</em>

Tags: 1938, camera, cinematographer, crew, Masters of Light, Oliver T. Marsh, The Girl of the Golden West (1938),

Director Irving Pichel, cinematographer Lionel Lindon (in trenchcoat) and the crew of <em>Destination Moon </em>

Tags: 1950, camera, cinematographer, crew, Destination Moon, director, Directors in Action, Irving Pichel, Lionel Lindon,

Virginia Mayo and Clint Walker on the Kanab, Utah, location of <em>Fort Dobbs </em>

Tags: 1958, Clint Walker, crew, filming, Fort Dobbs, microphone, Virginia Mayo,

Shooting <em>House of Wax</em> in 3-D: cinematographer J. Peverell Marley (light jacket), director André De Toth (dark jacket), Vincent Price and Phyllis Kirk

Tags: 1953, André De Toth, camera, cinematographer, crew, director, Directors in Action, House of Wax, J. Peverell Marley, microphone, Phyllis Kirk, Vincent Price,

Director Anthony Asquith (arms crossed) watches Nigel Patrick intently on the set of <em>The Browning Version </em>

Tags: 1951, Anthony Asquith, camera, crew, director, Directors in Action, microphone, Nigel Patrick, The Browning Version (1951),

Alec Guinness keeps to the side while Stanley Holloway talks to director Charles Crichton and cinematographer Douglas Slocombe on the Paris location of <em>The Lavender Hill Mob</em>

Tags: 1951, Alec Guinness, camera, Charles Crichton, cinematographer, crew, director, Directors in Action, Douglas Slocombe, Stanley Holloway, The Lavender Hill Mob,

Director John P. McCarthy, Molly O´Day and the crew of <em>The Lovelorn</em>

Tags: 1927, camera, crew, director, Directors in Action, John P. McCarthy, Molly O'Day, The Lovelorn,

Dolores Del Rio turns her camera on director Gregory Ratoff for a home movie on the making of <em>Lancer Spy</em>

Tags: 1937, camera, crew, director, Dolores Del Rio, Gregory Ratoff, Lancer Spy, microphone,

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…and on radio too
Anyone for Tennis?
Becoming Immortal
Celluloid Tales
Deck the Halls
Directors in Action
Easter Greetings!
Every Day Is Mother’s Day
The Fairest of All
The Good Life
Happy New Year!
Have You Read the Book?
Home & Hearth
I Want to Ride My Bicycle
I’d like to thank…
It’s Halloween!
The Jewelry Box
Keeping in Shape
The Leaning Board
Let Them Eat Cake
Masters of Light
The Milliner’s Art
A Musical Moment
My Pride and Joy
Of Pilgrims and Turkeys
Real Directors Smoke Pipes
A Star’s Best Friend
Stars & Stripes
Stars in Fur
The Swimsuit Gallery
Take a Break
They All Laughed
They Were Called Records
Traveling in Style
Visitor on the Set
The War Effort
When Directors Meet
A World of Fashion
Yes, It’s My Automobile

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