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by Sérgio Leemann

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On the set of <em>Eternal Love</em> cinematographer Oliver T. Marsh tries a photographic device to capture a closeup of John Barrymore. Director Ernst Lubitsch looks on

Tags: 1929, camera, cinematographer, director, Ernst Lubitsch, Eternal Love, John Barrymore, Masters of Light, Oliver T. Marsh,

Camera operator Philip Lathrop goes over the next setup in <em>Touch of Evil</em> with star-director Orson Welles. Charlton Heston has something to drink

Tags: 1957, Charlton Heston, cinematographer, director, Directors in Action, Orson Welles, Philip Lathrop, Touch of Evil,

Filming on the set of <em>Two Guys from Milwaukee</em>: Joan Leslie, Dennis Morgan, Jack Carson, director David Butler (holding sheets of paper) and cinematographer Arthur Edeson (in pinstripe suit)

Tags: 1946, Arthur Edeson, camera, cinematographer, crew, David Butler, Dennis Morgan, director, Directors in Action, filming, Jack Carson, Joan Leslie, Two Guys from Milwaukee,

Cinematographer Erwin Hillier and crew on the set of <em>The Woman´s Angle</em>

Tags: 1952, camera, cinematographer, crew, Erwin Hillier, Masters of Light, The Woman's Angle,

Cinematographer Erwin Hillier and director Michael Anderson during filming of <em>Shake Hands with the Devil</em>

Tags: 1958, camera, cinematographer, director, Erwin Hillier, Masters of Light, Michael Anderson, Shake Hands with the Devil,

Cinematographer Gianni Di Venanzo and director Michelangelo Antonioni during filming of <em>Le amiche</em>

Tags: 1955, beach, camera, cinematographer, director, Directors in Action, Gianni Di Venanzo, Le amiche, Michelangelo Antonioni,

Warren Beatty, Faye Dunaway and director Arthur Penn on location in Texas for <em>Bonnie and Clyde</em>. Over Penn´s shoulder, wearing cowboy hat, is cinematographer Burnett Guffey

Tags: 1967, Arthur Penn, Bonnie and Clyde, Burnett Guffey, camera, cigar, cinematographer, director, Directors in Action, Faye Dunaway, Warren Beatty,

Cinematographer Takao Saito and director Akira Kurosawa prepare to shoot a massive battle sequence for <em>Kagemusha</em>

Tags: 1980, Akira Kurosawa, camera, cinematographer, director, Directors in Action, Kagemusha, Takao Saito,

Director René Clair kneels to get a perfect view of Marlene Dietrich in a scene from <em>The Flame of New New Orleans</em>. Cinematographer Rudolph Maté is third from left

Tags: 1941, camera, cinematographer, crew, director, Directors in Action, Marlene Dietrich, René Clair, Rudolph Maté, The Flame of New Orleans,

Joan Crawford and camera operator Ellsworth Fredericks between scenes of <em>Flamingo Road</em>

Tags: 1949, cigarette, cinematographer, Ellsworth Fredericks, Flamingo Road, Joan Crawford, Masters of Light,

Michael Curtiz directs Rosalind Russell and Errol Flynn in <em>Four´s a Crowd</em>. Cinematographer Ernest Haller stands next to camera

Tags: 1938, camera, cinematographer, crew, director, Directors in Action, Ernest Haller, Errol Flynn, Four's a Crowd, Michael Curtiz, Rosalind Russell,

Director John Huston talks to the cinematographer of <em>The Bible</em>, Giuseppe Rotunno

Tags: 1966, camera, cinematographer, director, Giuseppe Rotunno, John Huston, Masters of Light, The Bible,

Cinematographer Ernest Haller, director Sam Wood, Ingrid Bergman and Gary Cooper on the set of <em>Saratoga Trunk</em>

Tags: 1943, camera, cinematographer, director, Ernest Haller, Gary Cooper, Ingrid Bergman, Masters of Light, Sam Wood, Saratoga Trunk,

On the set of <em>Daughters Courageous</em>: Rosemary Lane, Gale Page, Fay Bainter, Lola Lane, Priscilla Lane, cinematographer James Wong Howe (leaning next to camera) and director Michael Curtiz (wearing hat)

Tags: 1939, camera, cinematographer, crew, Daughters Courageous, director, Directors in Action, Fay Bainter, Gale Page, James Wong Howe, Lola Lane, Michael Curtiz, Priscilla Lane, Rosemary Lane,

Cinematographer Robert Lefebvre and director Jacques Becker during filming of <em>Ali Baba et les 40 voleurs</em>

Tags: 1954, Ali Baba et les 40 voleurs, camera, cinematographer, crew, director, Directors in Action, Jacques Becker, Robert Lefebvre,

Director Alfred Hitchcock gives instructions to Veronica Cartwright, Rod Taylor, Tippi Hedren and Jessica Tandy prior to shooting the final scene of <em>The Birds</em>. Cinematographer Robert Burks is second from right, seated

Tags: 1963, Alfred Hitchcock, camera, cinematographer, crew, director, Directors in Action, Jessica Tandy, microphone, Robert Burks, Rod Taylor, The Birds, Tippi Hedren, Veronica Cartwright,

Cinematographer James Wong Howe, director Martin Ritt and art director Tambi Larsen between shots of <em>The Outrage</em>

Tags: 1964, cinematographer, director, Directors in Action, James Wong Howe, Martin Ritt, set designer, Tambi Larsen, The Outrage,

Director of photography Sol Polito shows the workings of a movie camera to the star of <em>Rhapsody in Blue</em>, Robert Alda

Tags: 1945, camera, cinematographer, Masters of Light, Rhapsody in Blue, Robert Alda, Sol Polito,

Director of photography Jack Hildyard gets a light reading for a shot of Ava Gardner in <em>55 Days at Peking</em>

Tags: 1963, 55 Days at Peking, Ava Gardner, cinematographer, Jack Hildyard, Masters of Light,

Cinematographer Boris Kaufman and director Elia Kazan discuss the framing of Carroll Baker and Karl Malden in <em>Baby Doll</em>

Tags: 1956, Baby Doll, Boris Kaufman, camera, Carroll Baker, cinematographer, director, Directors in Action, Elia Kazan, Karl Malden,

Filming on the set of <em>Hotel Imperial</em>: cinematographer William C. Mellor (under camera, wearing vest), director Robert Florey (seated, center), Isa Miranda and Ray Milland

Tags: 1939, camera, cinematographer, crew, director, Directors in Action, Hotel Imperial, Isa Miranda, microphone, Ray Milland, Robert Florey, William C. Mellor,

On the <em>Mantrap</em> location, director Victor Fleming tries a novel idea in music by beating two little pine sticks on the violin strings. Cinematographer James Wong Howe admires the result

Tags: 1926, A Musical Moment, cinematographer, director, fun, James Wong Howe, Mantrap (1926), Victor Fleming, violin,

Cinematographer Adam Holender and director Paul Newman look for the best angle to shoot Christopher Plummer and Joanne Woodward in <em>The Shadow Box</em>

Tags: 1980, Adam Holender, Christopher Plummer, cinematographer, couple, director, Directors in Action, Joanne Woodward, Paul Newman, The Shadow Box (TV),

Cameraman Vincent Farrar, directors Rudolph Maté and Don Hartman, Cornel Wilde and Ginger Rogers on the set of <em>It Had to Be You</em>

Tags: 1947, camera, cinematographer, Cornel Wilde, director, Directors in Action, Don Hartman, Ginger Rogers, It Had to Be You, microphone, Rudolph Maté, Vincent Farrar,

June Allyson, producer Ross Hunter and director of photography William Daniels during filming of <em>My Man Godfrey</em>

Tags: 1957, cinematographer, June Allyson, Masters of Light, My Man Godfrey (1957), producer, Ross Hunter, William Daniels,

Greta Garbo, Conrad Nagel, director Jacques Feyder and cinematographer William Daniels (above the camera) on the set of <em>The Kiss</em>

Tags: 1929, camera, cinematographer, Conrad Nagel, crew, director, Directors in Action, filming, Greta Garbo, Jacques Feyder, The Kiss, William Daniels,

Director Irvin Willat and cinematographer Alfred Gilks during filming of <em>North of 36</em>

Tags: 1924, Alfred Gilks, camera, cinematographer, director, Directors in Action, Irvin Willat, North of 36,

Cinematographer Oswald Morris, director J. Lee Thompson and Gregory Peck at work on <em>The Guns of Navarone</em>

Tags: 1961, cinematographer, director, Directors in Action, Gregory Peck, J. Lee Thompson, Oswald Morris, The Guns of Navarone,

On the set of <em>Intermezzo: A Love Story</em>: cinematographer Gregg Toland (extreme left), Leslie Howard and Ingrid Bergman

Tags: 1939, camera, cinematographer, Gregg Toland, Ingrid Bergman, Intermezzo: A Love Story, Leslie Howard, Masters of Light,

On the set of the German version of <em>Anna Christie</em>: Greta Garbo, Theo Shall, director Jacques Feyder and cinematographer William Daniels

Tags: 1930, Anna Christie, camera, cinematographer, clapboard, director, Directors in Action, Greta Garbo, Jacques Feyder, microphone, Theo Shall, William Daniels,

Cinematographer James Wong Howe, John Garfield & Roberta Seidman

Tags: cinematographer, couple, James Wong Howe, John Garfield, Roberta Seidman, The Good Life,

Director Fritz Lang during filming of <em>Scarlet Street</em>. Background left, cinematographer Milton Krasner

Tags: 1945, camera, cigarette, cinematographer, director, Directors in Action, Fritz Lang, Milton Krasner, Scarlet Street,

Assistant director Kip Gowans, boom operator John Salter, camera operator Frank Drake, sound mixer Leslie Hammond, cinematographer Wilkie Cooper, Trevor Howard, director Guy Hamilton and Robert Mitchum on the set of <em>Man in the Middle</em>

Tags: 1963, camera, cinematographer, crew, director, Directors in Action, Frank Drake, Guy Hamilton, John Salter, Kip Gowans, Leslie Hammond, Man in the Middle, microphone, Robert Mitchum, Trevor Howard, Wilkie Cooper,

Cinematographer Joseph Walker

Tags: camera, cinematographer, Joseph Walker, Masters of Light,

At work on <em>Samson and Delilah</em>: Technicolor technician Paul Hill (foreground), assistant cameraman John F. Warren, head electrician Soldier Graham, director Cecil B. DeMille and cinematographer George Barnes

Tags: 1949, Cecil B. DeMille, cinematographer, crew, director, Directors in Action, George Barnes, John F. Warren, Paul Hill, Samson and Delilah, Soldier Graham,

Director of photography Rudolph Maté checks the light for a shot of Rita Hayworth and Russ Vincent in <em>Gilda</em>

Tags: 1946, cinematographer, Gilda, Masters of Light, Rita Hayworth, Rudolph Maté, Russ Vincent,

Special effects expert Jack Lannan demonstrates to cinematographer George Barnes the newly developed Snowmagic machine. January, 1948

Tags: 1948, cinematographer, George Barnes, Jack Lannan, Masters of Light,

Director of photography Ray June and Robert Montgomery between takes of <em>Night Must Fall</em>

Tags: 1937, cinematographer, makeup, Masters of Light, Night Must Fall, Ray June, Robert Montgomery,

Director of photography Oliver T. Marsh (wearing visor) and his crew ride the camera crane during filming of <em>The Girl of the Golden West</em>

Tags: 1938, camera, cinematographer, crew, Masters of Light, Oliver T. Marsh, The Girl of the Golden West (1938),

Director Irving Pichel, cinematographer Lionel Lindon (in trenchcoat) and the crew of <em>Destination Moon </em>

Tags: 1950, camera, cinematographer, crew, Destination Moon, director, Directors in Action, Irving Pichel, Lionel Lindon,

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