A Certain Cinema

by Sérgio Leemann

14344 photos

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Cecil B. DeMille

Tags: 1958, Cecil B. DeMille, director, Directors in Action, telephone,

Katherine DeMille (accepting for husband Anthony Quinn, supporting actor, <em>Viva Zapata!</em>), Cecil B. DeMille (Irving G. Thalberg Memorial Award and best picture, <em>The Greatest Show on Earth</em>) and Gloria Grahame (supporting actress, <em>The Bad and the Beautiful</em>) exult. March, 1953

Tags: 1953, award, Cecil B. DeMille, daughter, father, fur, Gloria Grahame, I'd like to thank..., Katherine DeMille, The Bad and the Beautiful, The Greatest Show on Earth, Viva Zapata!,

Katherine DeMille made her first film appearance in father Cecil´s extravagant <em>Madam Satan</em>

Tags: 1930, Cecil B. DeMille, daughter, director, father, Katherine DeMille, Madam Satan, My Pride and Joy,

Tags: 1942, Cecil B. DeMille, director, portrait,

At work on <em>Samson and Delilah</em>: Technicolor technician Paul Hill (foreground), assistant cameraman John F. Warren, head electrician Soldier Graham, director Cecil B. DeMille and cinematographer George Barnes

Tags: 1949, Cecil B. DeMille, cinematographer, crew, director, Directors in Action, George Barnes, John F. Warren, Paul Hill, Samson and Delilah, Soldier Graham,

Cecil B. DeMille points the way to his <em>Cleopatra</em>, Claudette Colbert. Directly below the director is cinematographer Victor Milner

Tags: 1934, camera, Cecil B. DeMille, cinematographer, Claudette Colbert, Cleopatra (1934), director, Directors in Action, microphone, Victor Milner,

Cecil B. DeMille directs James Ellison and Gary Cooper in <em>The Plainsman</em>

Tags: 1936, camera, Cecil B. DeMille, director, Directors in Action, Gary Cooper, James Ellison, The Plainsman,

Cecil B. DeMille gets an assist from Mary Pickford and Bob Hope as he celebrates his 77th birthday. August, 1958

Tags: 1958, birthday, Bob Hope, cake, Cecil B. DeMille, celebration, director, Let Them Eat Cake, Mary Pickford,

On his 20th anniversary in motion pictures director Cecil B. DeMille set up in his office the Pathé camera with which he shot his first film, <em>The Squaw Man</em>

Tags: 1934, camera, Cecil B. DeMille, director,

Jane Russell´s bath scene in <em>Son of Paleface</em> called for the special talents of Cecil B. DeMille (who supplied the tub), director Frank Tashlin and Bob Hope. September, 1951

Tags: 1951, Bob Hope, Cecil B. DeMille, director, Frank Tashlin, Jane Russell, Son of Paleface, swimsuit, visitor, When Directors Meet,

Director Cecil B. DeMille, Gary Cooper and Madeleine Carroll between scenes of <em>North West Mounted Police</em>

Tags: 1940, Cecil B. DeMille, director, Directors in Action, Gary Cooper, Madeleine Carroll, North West Mounted Police,

Tags: 1935, Cecil B. DeMille, director, pipe, Real Directors Smoke Pipes,

Cecil B. DeMille is warmly congratulated by longtime collaborators Bernice Mosk and Anne Bauchens the day after he won the Irving G. Thalberg Award and the best picutre Oscar for <em>The Greatest Show on Earth</em>. March, 1953

Tags: 1953, Anne Bauchens, award, Bernice Mosk, Cecil B. DeMille, director, film editor, I'd like to thank..., The Greatest Show on Earth,

Tags: Cecil B. DeMille, director, portrait,

Cecil B. DeMille directs Yul Brynner and Anne Baxter in <em>The Ten Commandments</em>

Tags: 1956, Anne Baxter, Cecil B. DeMille, director, Directors in Action, The Ten Commandments (1956), Yul Brynner,

Director Cecil B. DeMille talks with former silent film star Claire McDowell, who played a bit part in <em>Reap the Wild Wind</em>

Tags: 1942, Cecil B. DeMille, Claire McDowell, director, Directors in Action, Reap the Wild Wind,

Don Ameche and Cecil B. DeMille confabulate about the radio production of <em>Vivacious Lady</em>. January, 1941

Tags: ...and on radio too, Cecil B. DeMille, director, Don Ameche, microphone, radio, script, Vivacious Lady,

Herbert Marshall, Claudette Colbert and director Cecil B. DeMille between shots of <em>Four Frightened People</em>

Tags: 1934, camera, Cecil B. DeMille, Claudette Colbert, director, Four Frightened People, Herbert Marshall, pipe, Real Directors Smoke Pipes,

After 16 years of recording the hand- and footprints of screen celebrities in cement to decorate the forecourt of his famed Chinese Theatre, Sid Grauman learns what it feels like. His tracks are recorded by Laraine Day and Gary Cooper, while Cecil B. DeMille looks on. October, 1943

Tags: 1943, Becoming Immortal, Cecil B. DeMille, director, Gary Cooper, Laraine Day, Sid Grauman,

Cecil B. DeMille proudly displays to Evelyn Keyes a cluster of eight lemons that grew on a single stem on his property

Tags: 1938, Cecil B. DeMille, director, Evelyn Keyes,

Charles Boyer, Maureen O´Sullivan, Alexis Smith and Cecil B. DeMille about to go on the air in the Lux Radio Theater version of <em>The Constant Nymph</em>

Tags: ...and on radio too, Alexis Smith, Cecil B. DeMille, Charles Boyer, director, Maureen O'Sullivan, radio, script, The Constant Nymph,

The lineup for a radio version of <em>A Star Is Born</em>: Lionel Stander, May Robson, Robert Montgomery, Janet Gaynor and presenter Cecil B. DeMille

Tags: ...and on radio too, A Star is Born (1937), Cecil B. DeMille, director, Janet Gaynor, Lionel Stander, May Robson, microphone, radio, Robert Montgomery, script,

Tags: book, Cecil B. DeMille, director, home, Home & Hearth,

Cecil B. DeMille, with granddaughter Cecilia, in the passage connecting his two properties. December, 1944

Tags: 1944, Cecil B. DeMille, Cecilia DeMille Presley, director, home, Home & Hearth,

Cecil B. DeMille between his niece, Agnes, and daughter, Katherine

Tags: 1934, Agnes de Mille, Cecil B. DeMille, daughter, director, family, Katherine DeMille, My Pride and Joy,

James Stewart, Cornel Wilde and director Cecil B. DeMille welcome Helen Hayes to the set of<em> The Greatest Show on Earth</em>

Tags: 1952, Cecil B. DeMille, Cornel Wilde, director, Helen Hayes, James Stewart, The Greatest Show on Earth, visitor, Visitor on the Set,

Cecil B. DeMille checks over the finished <em>Cleopatra</em>

Tags: 1934, Cecil B. DeMille, Celluloid Tales, Cleopatra (1934), director,

Director Cecil B. DeMille (seated) and camera crew at work on the silent <em>The Ten Commandments</em>

Tags: 1923, camera, car, Cecil B. DeMille, crew, director, Directors in Action, The Ten Commandments (1923),

Two masters at displaying beautiful actresses to their best advantage meet on the set of <em>Son of Paleface</em>. Visitor Cecil B. DeMille and Frank Tashlin debate how much to show of Jane Russell. September, 1951

Tags: 1951, Cecil B. DeMille, crew, director, Frank Tashlin, Jane Russell, Son of Paleface, visitor, When Directors Meet,

<em>The Buccanneer</em> was Cecil B. DeMille´s last film, but he left the actual directing to his son-in-law, Anthony Quinn, whose only experience behind the cameras it was

Tags: 1958, Anthony Quinn, Cecil B. DeMille, director, producer, The Buccaneer (1958),

Director Cecil B. DeMille and Hedy Lamarr on the set of <em>Samson and Delilah</em>

Tags: 1949, Cecil B. DeMille, director, Directors in Action, Hedy Lamarr, Samson and Delilah,

At Cecil B. DeMille´s home only the finest films were shown, such as his own <em>The Plainsman</em>, starring Gary Cooper and Jean Arthur

Tags: 1936, Cecil B. DeMille, director, Gary Cooper, home, Home & Hearth, Jean Arthur, The Plainsman,

Judith Allen and director Cecil B. DeMille entertain visitor Elsie Janis on the set of <em>This Day and Age</em>

Tags: 1933, Cecil B. DeMille, director, Elsie Janis, Judith Allen, This Day and Age, visitor, Visitor on the Set,

George Marshall and Cecil B. DeMille on the set of <em>Variety Girl</em>, in which the latter makes a cameo appearance

Tags: 1947, Cecil B. DeMille, director, George Marshall, Variety Girl, When Directors Meet,

Tags: 1930, Cecil B. DeMille, director, portrait,

On the set of <em>Unconquered</em>, Cecil B. DeMille and Paulette Goddard have fun with a cast of the director´s head

Tags: 1947, Cecil B. DeMille, director, fun, laughter, Paulette Goddard, They All Laughed, Unconquered,

Sam Wood visits the <em>Unconquered</em> set and chats with Gary Cooper and Cecil B. DeMille

Tags: 1947, Cecil B. DeMille, director, Gary Cooper, Sam Wood, They All Laughed, Unconquered, visitor, Visitor on the Set, When Directors Meet,

On location for <em>The Ten Commandments</em>, Charlton Heston, director Cecil B. DeMille, cinematographer Loyal Griggs and associate producer Henry Wilcoxon

Tags: 1956, camera, Cecil B. DeMille, Charlton Heston, cinematographer, director, Directors in Action, Henry Wilcoxon, Loyal Griggs, producer, The Ten Commandments (1956),

Cecil B. DeMille directs C. Aubrey Smith and Henry Wilcoxon in <em>The Crusades</em>

Tags: 1935, C. Aubrey Smith, Cecil B. DeMille, director, Directors in Action, Henry Wilcoxon, microphone, The Crusades,

George Raft bids farewell to Cecil B. DeMille and wife Constance Adams as the couple departs on a nationwide tour to promote <em>Union Pacific</em>

Tags: 1939, Cecil B. DeMille, Constance Adams, couple, director, elegance, fur, George Raft, hat, train, Traveling in Style, Union Pacific,

Galleries

…and on radio too
Anyone for Tennis?
Becoming Immortal
Celluloid Tales
Deck the Halls
Directors in Action
Easter Greetings!
Every Day Is Mother’s Day
The Fairest of All
The Good Life
Happy New Year!
Have You Read the Book?
Home & Hearth
I Want to Ride My Bicycle
I’d like to thank…
It’s Halloween!
The Jewelry Box
Keeping in Shape
The Leaning Board
Let Them Eat Cake
Masters of Light
The Milliner’s Art
A Musical Moment
My Pride and Joy
Of Pilgrims and Turkeys
Real Directors Smoke Pipes
A Star’s Best Friend
Stars & Stripes
Stars in Fur
The Swimsuit Gallery
Take a Break
They All Laughed
They Were Called Records
Traveling in Style
Visitor on the Set
The War Effort
When Directors Meet
A World of Fashion
Yes, It’s My Automobile

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