A Certain Cinema

by Sérgio Leemann

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Claude Jade and director François Truffaut discuss a scene in <em>Domicile conjugal</em>

Tags: 1970, camera, Claude Jade, crew, director, Directors in Action, Domicile conjugal, François Truffaut,

Sam Wood (standing by camera, in hat) directs Charles Coburn and Jean Arthur in <em>The Devil and Miss Jones</em>

Tags: 1941, camera, Charles Coburn, crew, director, Directors in Action, filming, Jean Arthur, microphone, Sam Wood, The Devil and Miss Jones,

On location in Arizona with the <em>Pony Soldier</em> company. Director Joseph M. Newman is in front of the camera in light jacket, Cameron Mitchell stands by the tree made up as a native

Tags: 1952, camera, Cameron Mitchell, crew, director, Directors in Action, Joseph M. Newman, microphone, Pony Soldier,

Director Marcel Carné on the set of <em>La merveilleuse visite</em>

Tags: 1974, camera, director, Directors in Action, La merveilleuse visite, Marcel Carné,

Agnieszka Holland directs <em>Europa Europa</em>

Tags: 1990, Agnieszka Holland, camera, director, Directors in Action, Europa Europa,

Barry Fitzgerald and Veronica Lake between takes of <em>The Sainted Sisters</em>

Tags: 1948, Barry Fitzgerald, camera, The Sainted Sisters, Veronica Lake,

Tags: 1988, camera, director, Directors in Action, Frantic, Roman Polanski,

Director Henry Hathaway (center) observes intently as George Peppard and Debbie Reynolds play a scene for <em>How the West Was Won</em>

Tags: 1962, camera, crew, Debbie Reynolds, director, Directors in Action, filming, George Peppard, Henry Hathaway, How the West Was Won, microphone, script,

Fred MacMurray, Claudette Colbert-- <em>No Time for Love</em>

Tags: 1943, camera, Claudette Colbert, Fred MacMurray, No Time for Love, portrait,

<em>Flame in the Streets</em> director Roy Ward Baker presents Sylvia Syms with a birthday cake

Tags: 1961, birthday, cake, camera, director, Flame in the Streets, Let Them Eat Cake, Roy Ward Baker, Sylvia Syms,

When Pat O´Malley had to reduce for his role in <em>The Mine with the Iron Door </em> he carried cinematographer Chester Lyons´ camera equipment on the Arizona mountain location

Tags: 1924, camera, Chester Lyons, cinematographer, Keeping in Shape, Pat O'Malley, The Mine with the Iron Door,

Director David Lean talks to his <em>Oliver Twist</em>, John Howard Davies

Tags: 1948, camera, David Lean, director, Directors in Action, John Howard Davies, Oliver Twist (1948),

Katharine Hepburn allows photographers to take pictures of her as she arrives in New York aboard the SS Paris. April, 1934

Tags: 1934, boat, camera, Katharine Hepburn, Traveling in Style,

Tony Curtis took a few hours off from filming <em>Trapeze</em> in Paris to see wife Janet Leigh on the set of <em>Safari</em> in London

Tags: 1955, camera, couple, Janet Leigh, Safari (1956), Tony Curtis, visitor, Visitor on the Set,

Rita Hayworth with her favorite cinematographer, Rudolph Maté, his crew and the Technicolor camera used for <em>Cover Girl</em>

Tags: 1944, camera, cinematographer, Cover Girl, crew, Masters of Light, Rita Hayworth, Rudolph Maté,

James Stewart, director Alfred Hitchcock and Doris Day between scenes <em>The Man Who Knew Too Much</em>

Tags: 1956, Alfred Hitchcock, camera, director, Directors in Action, Doris Day, James Stewart, The Man Who Knew Too Much (1956),

Ava Gardner next to the camera used in shooting <em>55 Days at Peking</em>

Tags: 1963, 55 Days at Peking, Ava Gardner, camera,

Peter Finch delivers a speech on the set of <em>No Love for Johnnie</em>

Tags: 1961, camera, crew, filming, microphone, No Love for Johnnie, Peter Finch,

An unhappy arrangement: George Cukor and Ernst Lubitsch share the direction of <em>One Hour with You</em>. Behind the camera is cinematographer Victor Milner

Tags: 1932, camera, cigar, cinematographer, crew, director, Directors in Action, Ernst Lubitsch, George Cukor, One Hour with You, Victor Milner,

Director Lloyd Bacon and Al Jolson on the set of <em>Say It with Songs</em>

Tags: 1929, Al Jolson, camera, director, Directors in Action, Lloyd Bacon, microphone, Say It with Songs,

Director of photography Oswald Morris and camera operator Arthur Ibbetson shoot pickups for <em>Moby Dick</em> from a precarious perch on the prow of a whaleboat off the coast of South Wales

Tags: 1956, Arthur Ibbetson, boat, camera, cinematographer, Masters of Light, Moby Dick, Oswald Morris,

Director Ingmar Bergman enjoys a hot beverage on the set of <em>Smiles of a Summer Night</em>

Tags: 1955, break, camera, director, Ingmar Bergman, Smiles of a Summer Night, Take a Break,

Camera operator Ernest Laszlo and director Lewis Milestone behind the scenes of <em>The Night of Nights</em>

Tags: 1939, camera, cinematographer, director, Directors in Action, Ernest Laszlo, Lewis Milestone, The Night of Nights,

Amateur cinematographer Robert Montgomery

Tags: camera, Robert Montgomery, The Good Life,

While paying a call on the location of <em>The Naked Spur</em>, Tony Curtis takes a picture of wife Janet Leigh

Tags: 1953, camera, couple, Janet Leigh, The Naked Spur, Tony Curtis, visitor, Visitor on the Set,

Director Alain Resnais ponders the next shot of <em>L´année dernière à Marienbad</em>

Tags: 1961, Alain Resnais, camera, director, Directors in Action, L'année dernière à Marienbad,

Ornella Muti and director Dino Risi on the set of <em>Primo amore</em>

Tags: 1978, camera, Dino Risi, director, Directors in Action, Ornella Muti, Primo amore,

Sidney Lumet directs <em>The Anderson Tapes</em>

Tags: 1971, camera, director, Directors in Action, megaphone, Sidney Lumet, The Anderson Tapes,

Busby Berkeley directs a musical number for <em>The Kid from Spain</em>

Tags: 1932, Busby Berkeley, camera, choreographer, director, Directors in Action, The Kid from Spain,

Tobe Hooper, diretor of <em>Lifeforce</em>

Tags: 1985, camera, director, Directors in Action, Lifeforce, Tobe Hooper,

Director Alfred Hitchcock and Cary Grant on the <em>North by Northwest</em> location

Tags: 1959, Alfred Hitchcock, camera, Cary Grant, director, Directors in Action, North by Northwest,

On the set of <em>Eternal Love</em> cinematographer Oliver T. Marsh tries a photographic device to capture a closeup of John Barrymore. Director Ernst Lubitsch looks on

Tags: 1929, camera, cinematographer, director, Ernst Lubitsch, Eternal Love, John Barrymore, Masters of Light, Oliver T. Marsh,

Glenn Ford, director George Marshall, Claire Trevor and William Holden between takes of <em>Texas</em>

Tags: 1941, camera, Claire Trevor, director, Directors in Action, George Marshall, Glenn Ford, Texas, William Holden,

Olivia de Havilland on the set of <em> Gold Is Where You Find It</em>

Tags: 1938, camera, crew, filming, Gold Is Where You Find It, Olivia de Havilland,

Writer-director Billy Wilder on the set of <em>The Front Page</em>

Tags: 1974, Billy Wilder, camera, director, Directors in Action, The Front Page (1974), writer,

Director Richard Wilson, Yvette Mimieux and producer James H. Nicholson on the set of <em>Three in the Attic</em>

Tags: 1968, camera, director, Directors in Action, James H. Nicholson, producer, Richard Wilson, Three in the Attic, Yvette Mimieux,

Megaphone in hand, Robert Florey directs Montagu Love and Robert Frazer on the set of <em>One Hour of Love</em>

Tags: 1927, camera, crew, director, Directors in Action, filming, megaphone, Montagu Love, One Hour of Love, Robert Florey, Robert Frazer, violin,

Filming on the set of <em>Two Guys from Milwaukee</em>: Joan Leslie, Dennis Morgan, Jack Carson, director David Butler (holding sheets of paper) and cinematographer Arthur Edeson (in pinstripe suit)

Tags: 1946, Arthur Edeson, camera, cinematographer, crew, David Butler, Dennis Morgan, director, Directors in Action, filming, Jack Carson, Joan Leslie, Two Guys from Milwaukee,

Marie Wilson while filming <em>Never Wave at a WAC</em> at
Fort Lee, Virginia

Tags: 1953, camera, Marie Wilson, Never Wave at a WAC, swimming pool, swimsuit, The Swimsuit Gallery,

Cinematographer Erwin Hillier and crew on the set of <em>The Woman´s Angle</em>

Tags: 1952, camera, cinematographer, crew, Erwin Hillier, Masters of Light, The Woman's Angle,

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Galleries

…and on radio too
Anyone for Tennis?
Becoming Immortal
Celluloid Tales
Deck the Halls
Directors in Action
Easter Greetings!
Every Day Is Mother’s Day
The Fairest of All
The Good Life
Happy New Year!
Have You Read the Book?
Home & Hearth
I Want to Ride My Bicycle
I’d like to thank…
It’s Halloween!
The Jewelry Box
Keeping in Shape
The Leaning Board
Let Them Eat Cake
Masters of Light
The Milliner’s Art
A Musical Moment
My Pride and Joy
Of Pilgrims and Turkeys
Real Directors Smoke Pipes
A Star’s Best Friend
Stars & Stripes
Stars in Fur
The Swimsuit Gallery
Take a Break
They All Laughed
They Were Called Records
Traveling in Style
Visitor on the Set
The War Effort
When Directors Meet
A World of Fashion
Yes, It’s My Automobile

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